26 Films of 2012 You Need to See (Part 2: Independent/Foreign Films)

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INDEPENDENT FILMS

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BERNIE (Director – Richard Linklater): Linklater, the director of DAZED AND CONFUSED, goes back to Texas with this true-life crime story. Off-beat and funny, with great performances from Jack Black and Matthew McConaughey. Linklater uses people that live in the town the story took place in as actors to give it a real, small-town Texas vibe. Works very well.

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GOON (Director – Michael Dowse): I am not sure if this movie even got a theatrical release in the USA this year, but it damn well should have. As someone who grew up in the world of hockey, both at Nassau Coliseum to watch my Islanders and at the local rink where I played, I can tell you that this movie nails the culture spot-on. That shouldn’t be surprising, considering it was written by Jay Baruchel, a native Canadian and die-hard Montreal Canadians fan. Definitely one of the better sports movies of the past few years. Seann William Scott gives a fantastic performance as the lead, a player with great fighting skills and not much else. Once you watch him in this, you’ll never think of him as Stifler again.

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SLEEPWALK WITH ME (Director – Mike Bribiglia): A comedy master’s take on stand-up, relationships, work, ambition, and sleepwalking. Seems like a grab bag of concepts, but it all works. Bribiglia wrote, directed, and starred in this, based on real experiences he has had while struggling as a stand-up, including violent episodes of sleepwalking. His relationship with Lauren Ambrose’s character seems real and lived in. Possibly my favorite on-screen relationship of the year. If you like stand-up comedy and are intrigued in what goes through the mind of a comic when they’re not on stage, this is a must see.

(The next three movies all involve Mark Duplass in some way. Guy is the king of Indie movies)

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THE DO-DECA-PENTATHLON (Director – Mark Duplass): Just like the tagline says. 25 events. 2 brothers. 1 champion. Mark Duplass and his brother Jay have cornered the market on small, quirky, indie films (CYRUS, JEFF WHO LIVES AT HOME) and this movie continues that tradition. I was born almost exactly two years after my brother, and you can tell the Duplass brothers are probably similar in age as well. The bickering, the teasing, the fighting. It’s all put on display here.

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SAFETY NOT GUARANTEED (Director – Colin Trevorrow): This may be my favorite movie of the year. Aubrey Plaza and Jake Johnson work for a local paper in Seattle. They see an ad in the classifieds about a guy looking for someone to time travel with and seek him out, thinking it would make a good story. Once they meet him (Mark Duplass), the find the story isn’t that simple. I can’t really pinpoint why I loved this movie so much, but I do. It seems like an odd concept for a romantic comedy, but it works on every single level. Funny, poignant and heartfelt, this movie has it all.

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YOUR SISTER’S SISTER (Director – Lynn Shelton): Mark Duplass. Emily Blunt. Rosemarie Dewitt. One house. Three people. I loved this movie before I even saw it, and after I did, I loved it even more. Dewitt gives THE performance of the year. You laugh when she laughs and you cry when she cries. Just a tour-de-force. Blunt and Duplass are more than up to the task as well, giving soulful performances as best friends who may just want to be more than that. I have felt that way about a friend before, and this movie portrays the actions and feelings that stem from that predicament better than any mainstream romantic comedy ever could. YOUR SISTER’S SISTER, SAFETY NOT GUARANTEED, and PERKS OF BEING A WALLFLOWER are all on the 2012 “made David cry” list, along with the next film.

FOREIGN FILMS

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HEADHUNTERS (Director – Morten Tyldum): Not sure if it’s just a coincidence or if it’s because America sucks at it now, but my two favorite action movies of 2012 were both foreign pics. Headhunters is classic pulp. A art thief steals from the wrong man and is forced to go on the run to save himself. It is a simple premise, but the execution is great. If you’re sick of all the CGI crap in most action movies these days like me, this is a movie you should be watching.

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THE RAID (Director – Gareth Evans): This is the best action movie of 2012 and my favorite martial arts movie of all time. The drug kingpin is on the top floor. The police are at the bottom. Every floor is filled with gangsters. Can they get to the top? How? Watch and find out. No camera tricks. No computer generated effects. Just one hour and 30 minutes of real ass kicking. The type of action that needs to be seen to be believed. I think I watched this movie three times since I saw it in theaters, and it gets better on each subsequent viewing.

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OSLO, AUGUST 31ST (Director – Joachim Trier): A recovering drug addict gets released for the day to go to his old hometown of Oslo for a job interview. Once there, he proceeds to see family and friends around town, and the way his addiction has affected him and his loved ones becomes more apparent throughout. I don’t really know how to write a small review of this film. As someone who spent a year in a rehab facility, it almost hit too close to home. Everything the main character goes through in this film is something I either did or thought about doing. My heart was in my throat the entire running time, and I wouldn’t have wanted it any other way. This is the movie FLIGHT could/should have been. A realistic take on drug addiction and the pain it can cause. It’s definitely a movie I will watch at least once a year, to remind myself where I have been and the strides I have made since.

That’s it for the independent and foreign films. Tomorrow will be the final group of films: the auteurs, the prestige pics, the best picture candidates.

26 Films of 2012 You Need to See (Part 1: The Studio Films)

2012-

Like every other film critic, I broke out the list of films I saw this year to try and rank my top ten films of 2012. Once I was able to take a good, long look at the contending films, I realized I couldn’t really single out only ten. 2012 was one of the best year for movies in a long time, maybe even the best of this still young century. Eventually, I was able to cut it down to 25, but after seeing another 2012 film on New Year’s Eve, I had to amend it yet again. Looking at 26 films and trying to rank them became an arduous task. For me to say one was better than the other is missing the point. I want to celebrate the films I enjoyed, not pit them against each other. Therefore, I decided not to actually ranking the films 1-26, but divide them into groups. Some are on the list because they are great films, others are on it because a somewhat personal connection to the story made me love it, but all deserve to be seen. A 26 movie post would be too much, so the list will be divided into three parts: studio films, independent foreign films, and prestige/auteur films.

(Movies I have yet to see, therefore ineligible for this list: WRECK-IT RALPH, LES MISERABLES, PROMISED LAND, SMASHED, THE IMPOSSIBLE, ANNA KARENINA)

THE STUDIO FILMS

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THE CABIN IN THE WOODS (Director – Drew Goddard): One of the first movies I saw in 2012 has not only stayed with me, but will forever change the way I watch horror movies. A thorough deconstruction of the genre, Goddard and Whedon wrote the perfect script for film geeks, one that welcomes dissection and then throws it back in your face. Also gets bonus points for the most fun final 20 minutes of any film this year.

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CHRONICLE (Director – Josh Trank): Simply put, the best “found footage” movie ever. Written by Max Landis (son of John), this original take on the “teens getting powers” genre is a fantastic film that was criminally under seen. All three leads are great, led by Dane DeHaan, who gives a haunting performance as the kid who lets his new powers get the best of him. FOX must have been impressed, considering they hired Trank to direct their upcoming FANTASTIC FOUR reboot.

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END OF WATCH (Director – David Ayer): Ayer, the king of LA crime films (he wrote TRAINING DAY), went back to the well with this film, and it’s shockingly great. Jake Gyllenhaal’s character brings a video camera around with him, allowing Ayer to switch back and forth from handheld shots to found footage, and he uses this gimmick to it’s full extent, putting the viewer in the car and on the scene with the cops. Michael Pena and Gyllenhaal’s relationship in the film is the best on-screen portrayal of friendship I have seen a long time.

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21 JUMP STREET (Director – Phil Lord and Chris Miller): The funniest movie I saw in 2012. I had absolutely no connection to the source material before seeing this movie, allowing me to go into it without any preconceived notions, and it knocked me on my ass with the funny. Channing Tatum used this role to launch himself to the next level of super-stardom  and it’s well deserved. His chemistry with Jonah Hill is great, each of them playing a “can you top this” with the jokes. Most surprising part of the film: the action scenes. Lord and Miller know how to craft both a joke and a car chase. Not many directors working these days can do both. I tip my cap.

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PITCH PERFECT (Director – Jason Moore): I had a smile on my face for this entire movie. The singing version of BRING IT ON. I don’t think I really need to say anymore. If you like BRING IT ON and you like music, you’ll like PITCH PERFECT. Also, Brittany Snow as a redhead. ‘Nuff said.

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THE PERKS OF BEING A WALLFLOWER (Director – Stephen Chbosky): Perks was easily one of my favorite films of the year. I am a sucker for any coming of age film that’s set in high school, so I was genetically engineered to love this movie. The fact that it’s also fucking great makes this admission much easier. Emma Watson and Logan Lerman are excellent, but Ezra Miller’s performance holds this movie together. It’s worth seeing just for him. As someone who struggled with depression throughout my high school years, this movie was the one that conjured up the most emotions in me. Dealing with girls, school, friends and family can all take a huge toll on someone in their teenage years, and this movie, better than any other I can remember, proves that. A killer soundtrack doesn’t hurt either.

 

Tomorrow,  my favorite independent/foreign films of the year will be posted, and on Friday, the best prestige/auteur pics.

Review: Lincoln

The great Steven Spielberg has made period pieces with his past two films. Last year, it was WAR HORSE, the story of a horse during war. Pretty self-explanatory. (Confession time: I still haven’t seen it. The screener has been sitting on my shelf for a year). This year, it’s LINCOLN, the story of Lincoln, that dude on the penny. At least I thought it would be, based on the trailers. I was mistaken. This film should really be called “The 13th Amendment.”

 

The Civil War is already 4 years old and Lincoln has already been elected to his 2nd term as president when the movie starts. You see one quick war scene, and then the rest of the movie is spent in dark rooms in the White House and on the floor of the House of Representatives, where people talk. And talk. And talk. It’s almost as if Tony Kushner, the screenwriter, just took a text-book and transcribed it into a screenplay. Before I saw it, my friend sent me a text saying “Don’t bother seeing it. Just read Wikipedia”. I thought he was kidding. He wasn’t. The movie really is just about how Lincoln got the amendment abolishing slavery passed in the House, mostly through intimidation and bribes. At least it seemed that way. It’s a process movie, just following step by step on how Lincoln achieved this feat. Granted, it is an interesting process, but stretching that over two and a half hours makes sitting through it very tedious. There are secondary subplots, one involving Mary Todd Lincoln and her sanity? (I don’t even know what was going on half the time in her scenes) and another involving one of Lincolns sons wanting to join the Union army. Neither were necessary. Now, with all the script issues aside, this is a master class in film making.

 

Spielberg directed the shit out of this movie. Every scene is perfectly composed. The courtroom scenes are fantastic, easily the best part of the film. The movie comes out of it’s slumber with great force anytime the House is shown. The genuine disdain between the two parties is tangible. Janusz Kaminski’s cinematography is remarkable, looking beautiful without looking unnatural.

 

The acting is probably the best you’ll see in any movie this year. Besides Daniel Day-Lewis, who will easily be nominated for best actor, it may not have another nominated performance, but that doesn’t mean the work the other actors do isn’t world-class. It is the best cast in recent memory: DDL, Sally Field, Tommy Lee Jones, Joseph Gordon-Levitt, James Spader, John Hawkes, Lee Pace, David Strathairn, Hal Holbrook, Jackie Earle Haley, Tim Blake Nelson, Jared Harris, Walton Goggins. When you have academy award nominated actors playing bit parts, you know you have the SAG best cast award locked up. Spader, in particular stands out. He may be the comic relief of the film, but the importance of what his character doing does not go unrealized by the audience.

 

I am actually surprised this movie didn’t come out before the election earlier this month, because I think it would have put added perspective on the political climate. It’s almost impossible for the president to get things done then and now, without the help of others. This movie gets that point across more so than any other film I can remember. If you are interested in politics or the process itself, see this movie. If you love great film making, see it. If you want to be entertained, watch the Knicks.

 

Review: Skyfall

Disclaimer: I forgot to bring my mini-notebook into the theater when I saw this, so this will be a little light on details. I saw the movie on Friday, am writing this on Monday, and I did my fair share of drinking over the weekend, so it’s a little hazy. Forgive me.

First Act: If you follow my twitter feed (@yungflanagan) you probably noticed that I have been re-watching every Bond film leading up to SKYFALL, tweeting out 140 character mini-reviews/criticisms of the films. I am a long-time Bond fan, ever since watching my father’s GOLDFINGER VHS tape over and over as a kid. The gadgets, the guns, the woman….I was a sucker for it all. I remember how during every Thanksgiving week, TBS would show all the Bonds in a row over and over and I wouldn’t leave the couch until I had them all in the brain bank. I have seen all of them at least 3 times. Connery is the O.G., with the first 3 Bond films (Dr. No, From Russia With Love, Goldfinger) all ranking in my personal top 10 on my all-time best Bonds list. (Barry is on that last as well. HIS MASSIVE HEAD WAS ALL NATURAL, I SWEAR!!!) After Connery was George Lazenby, in his only appearance as Bond in ON HER MAJESTY”S SECRET SERVICE. He is easily the worst Bond, but the movie itself is actually really great. If Connery was in it, it would be the best Bond of all time. After Lazenby is Roger Moore, who is my least favorite Bond. He was too old and creepy for me to actually believe he could do what Bond is required to do (killing and fornicating). The only Roger Moore film worth watching is FOR YOUR EYES ONLY, which scaled back on the ridiculousness of the previous films. Timothy Dalton did the next two films after Moore, both of which are not good, even though Dalton is not half bad as Bond. It’s also possible that after Moore, anyone wouldn’t have been half bad. After a 6 year layoff between Bonds, mostly because of legal battles, Pierce Brosnan took over the role. (Fun fact: Brosnan was the first choice for Bond after Moore, but he couldn’t get out of his Remington Steele contract.) The Brosnan movies go down in quality from his first to his last, with DIE ANOTHER DAY being the single worst Bond of all. Of course, we all know who came next…

Second Act: Daniel Craig. James Bond. Right now, it seems like you can’t think of one without the other. He has replaced Sean Connery as the definitive James Bond. I have never read any of Ian Fleming’s books, but from everything I have read about the character, Craig’s portrayal is the most faithful to the source material. CASINO ROYALE was the first Bond movie since OHMSS that attempted to humanize the character, and it worked. You felt for Bond when Vesper betrayed him. You actually believe this guy can be hurt, both physically and emotionally. SKYFALL is the sequel to CR. Disregard the crappy movie that is QUANTAM OF SOLACE. Sam Mendes, the director of SKYFALL, was the perfect choice. As a London guy who grew up on Bond, this universe is in his blood, and it shows. Every callback works. The return of the theme song, Q, the Aston Martin. Every little bit will bring a smile to any Bond fan’s face. I want to avoid plot points in the review, but I will say this: this may be the easiest story line to follow out of any Bond movie, making the emotional beats stand out that much more. A list of every single MI6 agent is stolen and Bond has to track it down. Simple, easy, sensible. The first two acts are probably the best thing I have watched all year on the big screen. Granted, I am inherently biased because of my love for the character, but who cares? It’s an awesome film. I have read other’s problems with the 3rd act and ending, but I don’t really understand it. Not every movie can end with massive explosions and a bunch of mustache twirling from the villain. Sometimes, a slow burn is necessary. If you are expecting a TRANSFORMERS-esque ending, with buildings blowing up and bullets missing Bond miraculously  you;ll be disappointed. Appreciate the realness of Bond. We may not see the man for a while.

Third Act: Three words. Dame Judi Dench. This movie is almost as much about her as it is Bond. And she delivers. After being underwritten for the past 6 movies, M is a real character in SKYFALL, and her decisions on how she runs MI6 are the reason for most of the plot to happen. My hat off to her for making me get emotional during a Bond film. Next two words. Javier Bardem. Unreal. His portrayal of Silva is better than his Anton in NO COUNTRY FOR OLD MEN. Best Bond villain since Goldfinger, maybe even better. The first scene between Bardem and Craig is unbelievably good, and Bardem’s choice to play Silva as Gay puts a whole different spin on the character, making him that much more complex. Bravo. Daniel Craig is Daniel Craig. If you enjoyed him as Bond in the previous films, expect more of the same, with a little more humor involved. Bond even gets one or two good one-liners in during the movie, Connery style. But the true MVP of SKYFALL is the great Roger Deakins. This movie looks BEAUTIFUL!!! I have never seen an action film look as good as this does. When I read after the movie that it was shot using digital cameras, I was amazed. There is a quality to the color that I just didn’t think you could get from digital cameras. Major props to Deakins.

I loved this film. An automatic entry into my top 5 Bond films of all time. Go see it on the biggest screen you possibly can. You won’t be disappointed.

One More Thing: Like THE DARK KNIGHT RISES/JGL reveal as Robin, there is a bit at the end of the film where they introduce a character we thought we knew in the movie as one from the Bond canon. It works. Take notes, Christopher Nolan.

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